電玩都要有一個屬於它的主題音樂，《柯基托斯》Code:Cytus當然也有這麼一首屬於它的歌。
這次很榮幸邀請到《仙劍奇俠傳五》&《BBS鄉民的正義》的主題曲演唱人- 陳依婷 Miogo，擔任我們主題曲的演唱人。
偷偷說：還有神祕合唱人 >> Miogo的妹妹，陳楚宜 (也是我們這次的造型師)的加入，姊妹合體呢~
11/21-23 @松山文創園區 2F 多功能展演廳 【讀取錯誤 請修復… 】
2014年11月18日 星期二
《柯基托斯》Code:Cytus ｜ 多媒體電玩音樂劇場 主題曲
電玩都要有一個屬於它的主題音樂，《柯基托斯》Code:Cytus當然也有這麼一首屬於它的歌。
這次很榮幸邀請到《仙劍奇俠傳五》&《BBS鄉民的正義》的主題曲演唱人- 陳依婷 Miogo，擔任我們主題曲的演唱人。
偷偷說：還有神祕合唱人 >> Miogo的妹妹，陳楚宜 (也是我們這次的造型師)的加入，姊妹合體呢~
11/21-23 @松山文創園區 2F 多功能展演廳 【讀取錯誤 請修復… 】
2014年11月16日 星期日
觀賞《柯基托斯》你一定要知道的事--行動裝置互動遊戲設定
【樂提醒】
觀眾必須在開演前20分鐘前抵達，先設定手機(或其他行動裝置)的互動頁面
A. 安裝設定
1.進場前，請先確定你的手機/行動裝置中是否有 QR Code Reader (QRcode 掃描器)
Android 可以在此下載：http://goo.gl/RFpsRK
App Store可以在此下載：http://goo.gl/HxUNeu
[以上網址提供參考，以觀眾個別手機系統為準]
Android 可以在此下載：http://goo.gl/RFpsRK
App Store可以在此下載：http://goo.gl/HxUNeu
[以上網址提供參考，以觀眾個別手機系統為準]
2.進場時，在行動裝置選擇『CODE:CYTUS』連接現場的區域 WIFI
3.工作人員會發送每人一張QRcode小卡，觀眾會依照拿到小卡顏色隨機被分成4隊。
4. 請用QRcode APP 掃瞄
(Line或其他聊天軟體內建的QRcode掃瞄是無效的，一定要下載專門掃瞄QRcoded的APP)
(Line或其他聊天軟體內建的QRcode掃瞄是無效的，一定要下載專門掃瞄QRcoded的APP)
5. 掃瞄完成後，行動裝置頁面會出現"使用教學說明"
6. 閱讀完再點開，行動裝置螢幕上會顯示一顆cytus豆豆，表示安裝完成。
PS:當跳出遊戲瀏覽頁面時，請再掃描QRCODE進入遊戲
B. 玩樂體驗
1. [演出現場的大螢幕中] 泡泡會從正中間的黑洞往外圍的黃色圈圈飛出來。
2. 當泡泡剛好壓在黃色邊圈上的時候，請按下你手機/行動裝置上的豆豆
→
4. 演出時，這個畫面會出現在浮空螢幕, 隨著音樂有一堆泡泡會從正中間的黑洞跑出來
5. 螢幕左右兩邊會看到每隊的即時分數。
“6. 勝利隊伍可憑顏色小卡至前台兌換小禮物”
PS:當跳出遊戲瀏覽頁面時，請再掃描QRCODE進入遊戲
2014年11月9日 星期日
從異想天開到窺破天機--廣藝基金會執行長推薦
用這套模型，很容易給生命一套合理的解釋，包括死後生命、靈魂、通靈、附體、轉世⋯等等狀況。有趣的是，我發現這個模型如果成立，所謂靈魂與肉體的種種玄異問題，就像軟體和電腦一樣，變得平凡無奇，不帶一絲神秘。
所以，人在死後是不是能藉由保存自己腦中的程式，來達到永生的目的，或是完成生前未竟之志？（比如替我繼續營運我的音樂劇場...）
沒想到，幾位想像力豐富的樂乎乎工作坊年輕女創作者，不但提出解答，而且勇敢的把抽象概念轉換成舞台表演。更高明的是，把兩種人類心智活動：理智的邏輯思考，感性的情緒反應，拆解開來處理，探索兩者之間的運作矛盾。
再者，運用知名節奏音樂電玩Cytus作為發展核心，引進心智與預設程序融合的電玩文化，使觀眾更易進入狀況和產生共鳴。對於這樣縝密的設計，我個人佩服到五體投地。
雖然尚未看到完成作品，但是犀利而精準的創作概念，已經成功了一大半。相信它不僅是異想天開的科幻劇，更可能是窺破天機的創舉。我報以極度的期盼。
From Your Wildest Imagination to Revealing Heaven’s Secret
By Mel Yang, Executive Director of the Quanta Arts Foundation
I have always liked to use computers as the model for deciphering life. I have the bold hypothesize that the soul is not a type of material substance, but a set of logic (programs), and the physical body is the entity that executes this set of logic.
Using this model, it is very easy to assign rational explanations to life, which includes situations such as life after death, the existence of a soul, communicating with spirits, spirit possession, and reincarnation. What’s interesting is that I have discovered that if this model holds true, then all kinds of mysterious and strange questions related to the so-called spirit and physical body can be viewed in the same light as that of problems between software and the computer. They become ordinary and not unusual, without a trace of mystery.
Therefore, is it possible for people to save the programs in their brains after they die, so that they can attain the goal of immortality, or carry out ambitions that were not fulfilled during their lifetime? (For example, it can replace me in continuing to run my musical theater).
I never thought that these young female artists from Divertimento Media, with their rich imaginations, would not only put forward an answer, but also bravely transform this abstract concept into a stage performance. Even more brilliant, is that they have taken the two human cognitive activities of rational logical thinking and emotional responses, and disassembled them to explore the contradictions in operation between the two.
Moreover, using the renowned music rhythm mobile game Cytus as the core for development, they have introduced a video game culture that fuses cognition and preset programming, which captures and engages the audience. I personally have great admiration for such meticulous design.
Although I have yet to see the finished work, based on its penetrating and precise creative concept, I believe that it is already well on its way to success. I am convinced that it will not only be a science fiction show of the wildest imagination, but it may possibly be a pioneering work that reveals heaven’s secret. It is with great anticipation that I look forward to seeing the final production.
By Mel Yang, Executive Director of the Quanta Arts Foundation
I have always liked to use computers as the model for deciphering life. I have the bold hypothesize that the soul is not a type of material substance, but a set of logic (programs), and the physical body is the entity that executes this set of logic.
Using this model, it is very easy to assign rational explanations to life, which includes situations such as life after death, the existence of a soul, communicating with spirits, spirit possession, and reincarnation. What’s interesting is that I have discovered that if this model holds true, then all kinds of mysterious and strange questions related to the so-called spirit and physical body can be viewed in the same light as that of problems between software and the computer. They become ordinary and not unusual, without a trace of mystery.
Therefore, is it possible for people to save the programs in their brains after they die, so that they can attain the goal of immortality, or carry out ambitions that were not fulfilled during their lifetime? (For example, it can replace me in continuing to run my musical theater).
I never thought that these young female artists from Divertimento Media, with their rich imaginations, would not only put forward an answer, but also bravely transform this abstract concept into a stage performance. Even more brilliant, is that they have taken the two human cognitive activities of rational logical thinking and emotional responses, and disassembled them to explore the contradictions in operation between the two.
Moreover, using the renowned music rhythm mobile game Cytus as the core for development, they have introduced a video game culture that fuses cognition and preset programming, which captures and engages the audience. I personally have great admiration for such meticulous design.
Although I have yet to see the finished work, based on its penetrating and precise creative concept, I believe that it is already well on its way to success. I am convinced that it will not only be a science fiction show of the wildest imagination, but it may possibly be a pioneering work that reveals heaven’s secret. It is with great anticipation that I look forward to seeing the final production.
2014年11月8日 星期六
《柯基托斯》闖蕩遊戲與真實世界
「虛擬」與「真實」之間
中學時的課本曾討論〝「虛擬」的網路世界〞或是〝「虛擬」線上遊戲〞的詞彙，這些都曾經讓筆者感到困惑，因為即使透過鍵盤螢幕與互聯網的串連，我所面對的仍是一個個真實的個體，有血有肉的每一個人，一直到強制使用實名制的Facebook大行其道，網路才脫離「虛擬」這個令人困惑的形容詞。這時候我才真正明白，所謂的「虛擬」形容的應該是人在網路上匿名存在狀態下的種種表現。
被模糊的虛實界線
《柯基托斯》取材自台灣知名電玩遊戲 Cytus，直接在劇場設定遊戲機制，創造讓觀眾身歷其境的遊戲空間，並延續Cytus故事主軸，演繹女主角亞樂臨終前將遺願託付給執行機器人 Operator 153，發生一連串的故事。面對至親、摯友逝去，任何準備似乎都毫無意義，當象徵死亡的遺願執行機器人Operator 153出現，所有人不捨、無助甚至百般的情緒，碰撞Operator 153所承載亞樂記憶與意志的真情流露，呈現一樣是椎心刺骨般的真實感受。
《柯基托斯》看似一個對未來科技想像所架空的世界，在演出中卻讓每一份真實的情感恣意隨著劇情蔓延，創造了虛實難分的感受。
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